Watch the trailers and read up on 15 of the best internationally acclaimed African films currently streaming on Showmax
Zog was named Best Animation at the 2020 International Emmy Kids Awards and won the 2020 Children’s Programme Award from the Royal Television Society, among other honours like Kidscreen, Annie and British Animation Awards nominations.
Animated in Cape Town by Triggerfish and produced by the UK’s Magic Light Pictures, the 27-minute animated short captures the magic of Julia Donaldson and Axel Scheffler’s bestselling picture book, with an all-star voice cast including the likes of Kit Harington, Sir Lenny Henry and Tracey Ullman. It’s co-directed by multi-award-winning South African Daniel Snaddon (Stick Man) and two-time Oscar nominee Max Lang (The Gruffalo and Room On The Broom).
Zog is the keenest but clumsiest pupil in his class at Dragon School, where he longs to win a gold star as he learns how to fly, roar and breathe fire. He keeps meeting a kindly young girl who patches up his bumps and bruises, but can she help him with his trickiest school assignment yet: capturing a princess?
THE SNAIL AND THE WHALE
The Snail and The Whale won the 2020 Venice TV Award for Children/Youth, as well as Best Voice Performance (for Oscar nominee Sally Hawkins as the snail) at the 2020 British Animation Awards, where it was also nominated for Best Longform Animation and Best Use of Sound.
The Snail and The Whale follows the amazing journey of a tiny snail who longs to see the world and hitches a ride on the tail of a huge humpback whale. It’s a joyous, empowering tale about our wonderful world and discovering that, however small you are, you can make a difference.
The Snail and the Whale is produced by the Oscar-nominated Magic Light Pictures and animated in Cape Town by Triggerfish, with South African Daniel Snaddon co-directing with two-time Oscar nominee Max Lang (The Gruffalo and Room On The Broom).
The half-hour adaptation of The Gruffalo author Julia Donaldson and illustrator Axel Scheffler’s best-selling children’s book is also voiced by British Comedy Award winner Rob Brydon as the whale and Golden Globe nominee Dame Diana Rigg as the narrator. Rigg – best known as Olenna Tyrell in Game of Thrones; Emma Peel in the TV series The Avengers; and Countess Teresa di Vicenzo, James Bond’s wife in On Her Majesty’s Secret Service – passed away in September 2020.
RAFIKI | Romance film
Wanuri Kahiu’s Rafiki was named Outstanding Film – Limited Release at the 2020 GLAAD Media Awards, which recognise and honour media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender and queer (LGBTQ) community and the issues that affect their lives.
Rafiki beat out the likes of Pedro Almodóvar’s Pain and Glory, nominated for both Oscars and Golden Globes this year; 2020 Golden Globe and BAFTA nominee Portrait of A Lady On Fire; Sundance audience award winner Brittany Runs a Marathon; and South African favourite Kanarie, starring Schalk Bezuidenhout.
“Good Kenyan girls become good Kenyan wives,” but Kena (Samantha Mugatsia, who won Best Actress at Carthage 2018 and FESPACO 2019 for the role) and Ziki (Sheila Munyiva) long for something more. When love blossoms between them, the two girls are forced to choose between happiness and safety.
The Kenyan film has a 93% critics rating on Rotten Tomatoes, with Variety calling it “impossible not to celebrate”; RogerEbert.com “a lyrical ode to finding a kindred spirit amidst an uncaring majority”; AV Club “bursting with life”; and Washington Post “a small revelation, not least because it marks the breakthrough of a filmmaker of such exhilarating, cheerfully courageous vision.”
MOFFIE | Drama film
Currently on the longlist for the Golden Globe’s Foreign Film category, Moffie won the Film Critics Special Jury Prize at the 2020 Dublin International Film Festival and has a 100% critics rating from Rotten Tomatoes, with Variety raving, “South African auteur Oliver Hermanus makes his masterpiece with this brutal but radiant story of young gay desire on the Angolan war front… establishing him quite plainly as South Africa’s most vital contemporary filmmaker… Both a shiver-delicate exploration of unspoken desire and a scarringly brilliant anatomy of white South African masculinity. It fair takes your breath away.”
Adapted from an autobiographical 2006 novel by André Carl van der Merwe, Moffie is set in South Africa, 1981, with the white minority government embroiled in a conflict on the southern Angolan border. Like all white boys over the age of 16, Nicholas Van der Swart (Kai Luke Brummer) must complete two years of compulsory military service to defend the Apartheid regime.
The threat of communism and die swart gevaar is at an all-time high. But that’s not the only danger Nicholas faces. He must survive the brutality of the army – something that becomes even more difficult when a connection is sparked between him and a fellow recruit.
Coming to Showmax from 31 December 2020, Moffie is produced by South African-born Eric Abraham, who has produced two Oscar-winning films: Pawel Pawlikowski’s Ida and Jan Sverak’s Kolya. Abraham is also the founder and benefactor of The Fugard Theatre in Cape Town.
DIE VERHAAL VAN RACHELTJIE DE BEER | Drama film
Die Verhaal Van Racheltjie De Beer won the Kidseye award at the 2020 Rhode Island Film Festival, an Oscar-qualifying festival in the USA, as well as three Golden Horns – for Cinematography, Sound Design, and Original Score – at the 2020 SAFTAs.
South Africa’s wilderness in the 1800s: Five years after their mother died, Racheltjie and five-year-old Jamie find themselves on their way to the gold fields with their father, Herman, to start a new life. But winter is closing in fast, and when Jamie goes missing in a freak snowstorm, Rachel must brave the deadly cold to search for her little brother…
The beloved heroine of this Afrikaans folktale is brought to life by Zonika de Vries (Dis Koue Kos, Skat). The stellar cast includes SAFTA Lifetime Achievement Award winner Marius Weyers, Naledi Lifetime Achievement Award winner Sandra Prinsloo, and SAFTA winners Antoinette Louw (An Act of Defiance, Goodbye Bafana) and Seputla Sebogodi (Generations, The Republic), with newcomer Johannes Jordaan as Jamie.
The movie is directed by Matthys Boshoff (Vlees van My Vlees, Huggies’ award-winning Baby Marathon campaign), who co-wrote the script with Brett Michael Innes (Fiela se Kind, Sink).
YVONNE ORJI: MOMMA, I MADE IT! | Comedy special
In her first HBO comedy special, Nigeria’s Yvonne Orji, better known as Molly from Insecure, has the audience rolling with laughter as she brings her razor-sharp wit and confidence to the stage. Both celebrating and poking fun at her strict, formative Nigerian-American upbringing, Yvonne shares her unique journey from pre-med to comedy, talks about parental pressures to get married, and takes us along to Lagos to meet her family and friends.
Entertainment Weekly calls Momma, I Made It! “an hour of joy”, IndieWire hails it as “a rip-roaring standup special,” and Fast Company says it’s “the laugh the black community needs right now.”
In 2020, Yvonne also recently earned her first Emmy nomination and her fourth Black Reel nomination in a row as Molly in Insecure.
LUSALA | Drama movie
Lusala won the Rimbaud award at the 2020 Les Rimbaud du Cinéma, held in France at the oldest active cinema in the world.
Brian Ogola (18 Hours and Poacher) stars as Lusala, adopted by an affluent Nairobi family a decade ago, but now imposed on to leave home and start on his own. Eager and willing at first, he makes the most of his life, until the demons from his past return, and he has to face them on his own. Stycie Waweru (Jo in Supa Modo) co-stars.
Lusala is the directorial debut of Mugambi Nthiga, who co-wrote Kati Kati and Supa Modo, and acted in Nairobi Half Life and Stories of Our Lives – four critically acclaimed Kenyan films awarded at Toronto, Berlin, and AFI respectively, among many other festivals.
BUDDHA IN AFRICA | Documentary
Buddha in Africa won a Special Mention at Docudays 2020 in Ukraine and also took home Best Documentary and Best Directing at the 2020 SAFTAs.
In a Chinese Buddhist orphanage in Africa, a Malawian teenager finds himself torn between his African roots and Chinese upbringing. Once the star performer with dreams of becoming a martial arts hero like Jet Li, Enock is now in his final year of school and has to make some tough decisions about his future. Will he return to his relatives in his home village or study abroad in Taiwan?
Directed by South African Nicole Schafer, Buddha in Africa was praised by Variety as “a complicated portrait of what’s been described as the latest chapter in Africa’s long struggle against colonization.
STROOP: JOURNEY INTO THE RHINO HORN WAR | Nature documentary
Stroop: Journey Into The Rhino Horn War was nominated for the Doclights / NDR Naturfilm Producer Director Award at Wildscreen, arguably the most prestigious wildlife filmmaking event in the world.
The gripping wildlife crime thriller takes the viewer on a rollercoaster ride between Africa and Asia. Two first-time filmmakers, award-winning editor Susan Scott (The Last Lions) and 50/50 presenter Bonné de Bod, embed themselves on the frontlines of the rhino poaching crisis, where they are given exclusive access to the war as it unfolds on the ground.
Carving out six months for the project, the two women quickly find themselves immersed in a world far larger and more dangerous than they had imagined, only emerging from their odyssey four years later. The resulting film has won over 30 international awards, including Best of Festival at The International Wildlife Film Festival, and was shortlisted for two awards at Jackson Wild.
Scott and de Bod’s new film, Kingdoms of Fire, Ice & Fairy Tales, is now streaming on Showmax.
NOUGHTS + CROSSES S1 | Alternative history series
South African costume designer Dihantus Engelbrecht earned a Costume Design – Drama nomination from the 2020 Royal Television Society Awards in the UK for his work on Noughts + Crosses, a controversial six-part BBC One series based on Malorie Blackman’s multi-award-winning novel.
South African Masali Baduza (Trackers) and BAFTA winner Jack Rowan (Born To Kill, Peaky Blinders) play Sephy and Callum, two star-crossed lovers in the tradition of Romeo and Juliet, in an alternate universe where Africa colonised Europe, rather than the other way round. Shot largely in Cape Town with Film Afrika, the series also stars South African actress Bonnie Mbuli (Invictus, Wallander) as Sephy’s mom, Jasmine. Koby Adom – who is from Ghana, was born in Cote d’Ivoire, and grew up in London – is one of the two directors.
Times (UK) praised it as “mesmerising… It’s important, this one. We’ll be talking about it for years.”
FAMALAM S3 | Sketch comedy
Black sketch comedy finally took centre stage in 2020, with HBO’s A Black Lady Sketch Show nominated for three Emmys and BBC3’s Famalam up for a BAFTA, with Nigerian star and co-creator Gbemisola Ikumelo competing for Best Female Performance in a Comedy. Teaser sketches from Famalam have gone viral repeatedly on Facebook Watch, with six of the sketches already over 100 million combined views there.
In Season 3, we see our favourite aunties handle their nephew coming out, learn how to make White People Chicken, watch the rudest Midsomer Murders ever, catch up with the Nigerian prince who no one emails back, and see two cartels going to war – over the booming avocado trade… Look out for Ivorian Tom Moutchi doing a killer Idris Elba imitation too.
The Independent (UK) praises Famalam as “a sublime achievement of satire,” saying, “Like all the best sketch shows, Famalam is a mix of comforting recurring characters and scenes, but tweaked with a delightful and clever wit on every outing.” Similarly, The Guardian hails Famalam as “quickfire, playful comedy, rooted in the black British experience.”
TRACKERS S1 | Action series
Fresh from outperforming Game of Thrones – and everything else on M-Net last year – Trackers was released internationally by HBO and Cinemax in June 2020.
Based on Deon Meyer’s bestselling novel, Trackers has an 88% critics rating on Rotten Tomatoes. In America, Meaww raved, “Packed with thrills and chills, Trackers whisks viewers towards a violent conspiracy involving organized crime, state security, and an international terrorist plot…
James Gracie and Thapelo Mokoena take centre stage with their amazing performances,” while The New York Times called it “a more polished product than Blood & Water… more easily entertaining…. James Gracie… can do a lot with silent looks of doubt and reproach.” In Israel, Haaretz called it “the guilty pleasure” of the week, adding, “it comes to life when it places Cape Town front and center.” And in New Zealand, Stuff called it “a high-octane thriller… a good rollicking story.”
KNUCKLE CITY | Boxing movie
At the end of November 2020, Knuckle City was named the most nominated film at the 2020 Africa Movie Academy Awards (AMAA), where it’s up for 12 awards, including Best Film, Best Actor (SAFTA winner Bongile Mantsai from Inxeba | The Wound), Best Director (multiple-SAFTA winner Jahmil X.T. Qubeka, who is also making the upcoming Showmax Original Blood Psalms), and Best Supporting Actress (Faniswa Yisa from upcoming Showmax Original DAM).
In South Africa’s powerful 2020 Oscar entry, an ageing, womanising professional boxer (Mantsai) and his career-criminal brother (Thembekile Komani) take one last shot at success and get more than they’ve bargained for. “It is impossible not to be completely consumed by Knuckle City,” wrote The Globe and Mail when the film premiered at Toronto International Film Festival, describing it as “Raging Bull meets Rocky, but in South Africa” and praising its navigation of “the painful issues of toxic masculinity, age and the impossible-seeming choices one can be forced to make to ensure the survival of themselves and the people they love… Mantsai’s performance is gripping, electrifying and heart-breaking.”
A rare South African film with a 100% critics rating on Rotten Tomatoes, Knuckle City was the most awarded film at this year’s SAFTAs, taking home six awards, including Best Director and Best Actor for Mantsai.
THE GHOST AND THE HOUSE OF TRUTH | Crime drama
At the end of November 2020, The Ghost and The House of Truth was named the third most nominated film at the Africa Movie Academy Awards (AMAA), where it’s up for seven awards, including Best Film and Best Director (Akin Omotoso, who previously won the category for Vaya).
Bola Ogun (BAFTA Breakthrough Brit winner Susan Wokoma from Enola Holmes) is a dedicated counsellor who facilitates reconciliation sessions between convicts and the victims of their crimes. But when her own daughter goes missing, her belief in forgiveness is tested.
Shot in Makoko, Nigeria, the award-winning crime drama also stars AMAA Best Actress winner Kate Henshaw (Chief Daddy, 4th Republic) as Folashade, a police inspector in the Child Protection Unit, and AMAA Best Young Actor winner Kemi Lala Akindoju (Dazzling Mirage, Banana Island Ghost, Fifty), who also co-produced.
THE LETTER READER | Short film
At the end of November 2020, The Letter Reader was nominated for Best Short Film at The Africa Movie Academy Awards. Directed by Sibusiso Khuzwayo, The Letter Reader also won Best Short at the 2020 SAFTAs.
Inspired by Thabo Mbeki’s biography, A Dream Deferred, The Letter Reader tells the story of Siyabonga, a 12-year-old boy from Johannesburg who is sent to a village in KwaZulu-Natal to live with his grandmother while his parents are sorting out their marital problems. As a city boy who is not accustomed to doing household chores, Siyabonga struggles to adapt. He discovers the power of words as he reads letters that put a smile on people’s faces, until one day, a letter with bad news lands in his hands…
The late Andile Gumbi, best known for playing Simba in The Lion King musical, leads the cast, while multiple-SAFTA winner Lance Gewer (Tsotsi, Happiness Is A Four-Letter Word) DoPs.
Squid Game Ending Explained; We’ve Been Scammed
We’ve been had, and Squid Game is here to prove it.
When the end of the South Korean horror drama arrives on the ninth episode, the winner finds himself harrowed by what the coveted prize has cost his soul. In the rat race for survival, along with a better life that hinges on the never ending hustle, there’s no time to stop and see the horror our lives become. By the end, we see how the winner has sold his soul for a crappy deal that came with a few toys, and a happy meal.
A group of 456 players are mysteriously invited to take part in a set of children’s games for a grand prize of $38 million, which will be enough to give the winner the financial freedom they desperately need. The players are selected from different walks of life, with the burden of excessive debt being their biggest motivation to give the Game a go.
The first of deepening terrors comes during the first game, when the players discover that penalties for losing in the challenges will be death. DEATH. Horrified, the players initially vote to leave and return to their lives.
This noble departure doesn’t last long; their material realities as fugitives on the run from debt collectors only highlights the glow of the precious promise they’ve now left behind. When they return for the second time, they now consent to their highly probable deaths.
Led by Lee Jung-jae, who plays Seong Gi-hun, a taxi driver with a gambling addiction, the South Korean series has become somewhat of a global phenomenon. Now the most streamed Korean series of all time, Squid Game is also said to be on pace to dethrone Bridgerton as the most streamed series in the history of Netflix. And it’s with good reason. Squid Game is a trip.
Survival is the drive. The blues of a broke life pile up for Seong Gi-hun, who’s daughter is being taken away to the US by her mother and step father. His mother is battling deteriorating diabetes and even in her frail condition, is still working hard to make ends meet. It’s during the peak of his frustrations that Gi-hun is randomly invited to take part in the Game.
After accepting the offer, he finds himself in a discreet location along with 455 players, who are also drowning in debt. The players are kept under an authoritarian system of surveillance. Masked guards in pink suits keep the scene under control under the supervision of the Front Man. Gi-hun allies with other players, including his childhood friend Cho Sang-woo, as a the most strategic way to survive the bloody challenges.
Amongst those that end up in this team is player 001, a frail old man who who became his “gganbu”. Sae-byeok, who was also in the team, was killed by Sang-woo, Gi-hun’s childhood friend, team member and flip-flopping ally. Several other team members had to be killed by their team mates, which revealed the wickedness of the games.
In the end, Gi-hun’s victory came without an apology. He had to defeat a close ally in the games, the old and frail player 001. They’d bonded throughout their time, but in the end he had to advance himself against those he’d built alliances. As the games progressed, the players found themselves having to face tough calls. Someone else has to die for you to make it another day.
After a series of brutal games, it comes down to childhood friends Gi-hun and Cho Sang-woo. They’d played different games, with Sang-woo having played hard and stopping at nothing to win. Gi-hun is mad at Sang-woo for a series of betrayals, including him stabbing Sae-byeok to her death. In the end, Gi-hun wins when Sang-woo apologised and kills himself.
Yet despite emerging a winner, Gi-hun finds that the cost of becoming an overnight billionaire has bankrupted his soul. For a year following the day his bank account was loaded with a nine zero figure, he didn’t touch the money. After all, he returned to find his mother dead on the floor. One of his motivations was getting the money to get her medical help over her advancing diabetes.
Gi-hun is clearly troubled by the bodies upon which his new wealth rests. A year passes and he hasn’t touched the money – even oddly reverting to old patterns of asking for loans to get by. It might be late to be so concerned about the moral questions surrounding the games now – the long and short of it is he won and his life has changed.
Later, he is shocked to find out that the “gganbu” who had to be killed after losing to him in a game of marbles, was never really killed.
In a shocking plot twist that changes everything – he also finds out that the old man is in fact the creator of the games! Finding him in a medical bed after receiving a mysterious invite to the location, Gi-hun discovers that the man’s real name is Oh Il-nam, an obscenely rich fella who created the games in 1988 (the same year Korea hosted the Olympics for the first time) purely for their entertainment. We already know by now that ‘the VIPs’ are a bunch of morally bankrupt elites who find pleasure in watching the poor masses slaughtering each other for money in a broken system. Where have we heard that before?
Although his participation in the games as player 001 was a farce, what he told Gi-hun back then, that he had a brain tumour, had been true. And of course, he challenged him to another sick game. A man had been freezing to death on a street pavement, and Oh Il-nam challenged Gi-hun to guess to bet on the odds that someone who help him when the clock strikes 00:00 at midnight. As Gi-hun wins, Oh Il-nam dies.
We assume this marks the end of the games. However later in the episode, Gi-hun sees the man who recruited him doing it to someone else. He runs to stop what is happening, but arrives at the exact scene late, the train has already taken off. Later on the way to boarding a flight, he turns and calls a number. “I can’t forgive you for everything you’re doing,” he tells ta man we assume to be In-ho. He turns back, clearly about to begin his new mission.
What we know now, is that Oh Il-nam created the games to tickle the sick tastes of his sick rich network. But he is now dead. Who is now behind the games? This, and Gi-hun’s passionate manifesto, are strong indications that next season of the series is already shaping up to a different arc. It’s his final transformation, and he is ready to take down the operation and those behind it. He won’t allow people to be “horses” for the entertainment of wealthy elites.
We know that In-ho shot Jun-ho in a bid to stop him from alerting the police about the games. The signal was bad, delaying the delivering of the evidence Jun-ho had been trying to send in several texts, right up to the moment the moment he plunged from a cliff and hit the water. What we don’t know is whether the messages were really not delivered. There’s also no conclusive evidence that Jun-ho is dead.
Potentially, the biggest lesson from season one is that our relentless pursuit for material success in a punishing money system kills us.
First Look at HBO’s Game of Thrones Spin-Off ‘House of The Dragon’
Things look promising for HBO’s upcoming drama series, The House of Dragon. The highly buzzed Games of Thrones prequel’s first visual teaser has been met with much fanfare, raking in more than 8,6 million views on Youtube within two days of its arrival.
First reactions and buzz around the epic teaser have been strong indications that the series, slated to premiere in 2022, is off to a good start despite the infamous final season slump suffered by G.O.T. And it could mean that maybe, just maybe, the world ready to let old baggage go.
The House of Dragon, created by an entire different team, will arrive about three years since the cold winter. The cast includes Matt Smith, Paddy Considine and Sonoya Mizuno who will be bringing to life a different era of Westeros.
Midnight Mass is Creepy With A Dark Subtext and You Need To See it
‘God’s angel’ had sinister plans for the town.
The reign of terror plunges a small and quiet town to ashes when the arrival of a charismatic yet mysterious priest coincides with the return of a disgraced young man who has just been released from prison.
While Riley (Zach Gilford) initially finds that Crockett Island and its 127 residents – along with his childhood sweetheart Erin (Kate Siegel) – still conduct a mundane existence, Pastor Paul (Hamish Linklater) soon changes that.
When the island’s much loved Roman Catholic senior priest takes a trip to the pilgrimage and never comes back, an energetic new priest takes his place at the Holy Land church. And while his arrival brings with it a new wave of spiritual revival amongst the island community, something sinister begins to haunt the town.
With each episode, the esoteric occult that powers Paul’s ability to perform astounding miracles and mesmerise the islanders, slowly gains dominion over the unsuspecting community. Instead, they begin taking up a renewed interest in the church as word of mouth spreads about the signs and wonders. Much like Jesus Christ was able to draw crowds wherever he went, the appearance of Paul’s supernatural power is able to attract even those who’d remained sceptics their lives.
It’s the blending of the sacred and the sinister. The taking of communion that has been contaminated with demonic blood, which functions as the miracle drug promising eternal life.
We soon find out the miracles come at an unthinkable cost.