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6 African LGBTQ+ Movies & Series To Stream on Showmax Now

On time for Pride Month

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As we continue to celebrate Pride Month, it becomes timely to highlight films that tell the stories about the LGBTQ+ community and their truth.

And when it comes to matters of presentation, the closer to our own reality these stories are, the more they reveal our authentic existence. Here are six LGBTQ+ series and movies you can stream on Showmax literally right now.

RAFIKI

“Good Kenyan girls become good Kenyan wives,” but Kena (Samantha Mugatsia, who won Best Actress at Carthage 2018 and FESPACO 2019 for the role) and Ziki (Sheila Munyiva) long for something more. When love blossoms between them, the two girls are forced to choose between happiness and safety.

Rafiki has a 94% critics rating on Rotten Tomatoes, with Variety calling it “impossible not to celebrate”; RogerEbert.com “a lyrical ode to finding a kindred spirit amidst an uncaring majority”; AV Club “bursting with life”; and Washington Post “a small revelation, not least because it marks the breakthrough of a filmmaker of such exhilarating, cheerfully courageous vision.”

Rafiki was nominated for the Un Certain Regard and Queer Palm Awards at Cannes 2018, as well as a 2020 GLAAD Media Award nomination for Best Limited Release Film. The movie catapulted director Wanuri Kahiu onto Time Magazine’s 100 Next list in 2019 and launched her career internationally. She’s now adapting Octavia Butler’s Wild Seed for Amazon Prime and Ali Benjamin’s The Thing About Jellyfish for Universal, among other projects.

KANARIE

Two-time Comics’ Choice winner Schalk Bezuidenhout, who also won a SAFTA for his supporting role in the kykNET comedy Hotel, stars in Kanarie as a small town boy during Apartheid who is chosen to serve his compulsory two-year military training in the South African Defence Force choir, where he discovers his true self through hardship, camaraderie, first love, and the liberating freedom of music

Directed by Christiaan Olwagen (Poppie Nongena), Kanarie was nominated for a 2020 GLAAD Media Award in the Outstanding Film – Limited Release category, while Indiewire named it one of the 14 Best LGBTQ International Films of 2018. Locally, Kanarie won the 2019 SAFTA for Best Script and five 2018 Silwerskermfees Awards, including Best Film and Best Director.

Kanarie has a 100% critics rating on Rotten Tomatoes, with The Los Angeles Times praising it as a “rich, poignant and finely observed musical-drama” and The Hollywood Reporter as “a winning combination of thoughtfulness and exuberance.”

SOMIZI & MOHALE: THE UNION


Somizi Mhlongo and Mohale Motaung formally invite you to witness not only the union of their love but also the merging of their families and their respective Zulu and Sotho cultures – in the Showmax Original, Somizi & Mohale: The Union.

From their traditional wedding in Kibler Park in Johannesburg in September 2019 to their white wedding in Muldersdrift on 30 January 2020, Somhale’s four-part wedding special is a front-row seat to one of the most historic, heartfelt and not forgetting fabulous weddings in South African celebrity history.

Somizi & Mohale: The Union took the crown as the show with the most views ever on its first day on Showmax, bigger than any Hollywood blockbuster show.

INXEBA | THE WOUND

Directed by John Trengove, Inxeba tells the story of Xolani (Nakhane), a lonely factory worker, who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best-kept secret, Xolani’s entire existence begins to unravel.

Inxeba is one of the most talked-about South African movies of the last decade. Local cinemas were forced to cancel screenings after death threats and protests about its depiction of the secret Xhosa initiation ritual, then the Film and Publications Board Tribunal reclassified it as pornography (it’s not) after complaints from traditionalists, essentially banning it from mainstream cinemas. The classification was later overturned in the North Gauteng High Court.

I-D Magazine called it “the most important LGBT film you will see in 2018… through the character of Xolani we are introduced to a world where homosexuality is still simply not an option.” The excessive protests against the film laid bare the rampant homophobia that remains in parts of South Africa.

In addition to a 90% critics rating on Rotten TomatoesInxeba was Oscar-shortlisted and won over 25 international awards, including the Sutherland Award for best first feature at the London Film Festival, the Grand Jury Award at LA Outfest, and Best Actor for Nakhane at Palm Springs.

DIE STROPERS | THE HARVESTERS 

This tense, beautifully filmed drama is set against the backdrop of the farmlands of the Free State, where a deeply religious and heavily patriarchal Afrikaans family takes in hardened teenage street orphan, Pieter, throwing 15-year-old Janno’s life into turmoil as he is forced to confront his sexuality while competing for his place in the family and his mother’s love.

Janno is played by Brent Vermeulen, who The Hollywood Reporter called “one of this year’s major acting discoveries in Cannes.” It also stars Juliana Venter, Alex van Dyk, Morné Visser, Erica Wessels and the late Danny Keogh.

Die Stropers has a 92% critics rating on Rotten Tomatoes. Los Angeles Times hailed it as “a profound story of brotherhood with semi-biblical undertones… darkly powerful,” while The Hollywood Reporter praised it as “yet another incisive exploration of one of the numerous and complex facets of masculinity in South African culture after such critical hits as Oliver Hermanus’ Beauty (Skoonheid) and John Trengove’s The Wound.”

Die Stropers was nominated for the Un Certain Regard and Golden Camera awards at Cannes and won the Grand Prize at Chéries-Chéris, the LGBTI film festival in Paris.

South African director Etienne Kallos won Best Short Film at Venice for Eersgebore (Firstborn) in 2009, while his script for Die Stropers picked up prizes at both Cannes and Sundance even before production began.

(S)HE

Winner of Best Feature Film at Jozi Film Festival in 2019, (S)he is a 52-minute film from Sean Steinberg, who also made the award-winning short Axis Mundi and wrote on hit series like The Girl From St Agnes and iNumber Number.

After qualifying to compete in the 2016 Olympic trials for swimming, Penny Kemp, an intersex teenager, is forced to undergo gender treatment while dealing with being ostracised by one of her teammates. (S)he is a coming-of-age drama that speaks to what it means to be a teenager, what it means to be accepted, and what it means to stand up for who you are.

Kate Roothman (Getroud Met Rugby, Erfsondes) stars as Penny, with Fleur du Cap nominee Kate Liquourish (Still Breathing, Queen Sono) as her coach and Justin Strydom (Snitch, The Mating Game, High Rollers) as her dad. Fiona Ramsay (Hard Copy), Mila Guy (Wonderlus) and Daniella Retief (Song vir Katryn) co-star.

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Squid Game Ending Explained; We’ve Been Scammed

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We’ve been had, and Squid Game is here to prove it.

When the end of the South Korean horror drama arrives on the ninth episode, the winner finds himself harrowed by what the coveted prize has cost his soul. In the rat race for survival, along with a better life that hinges on the never ending hustle, there’s no time to stop and see the horror our lives become. By the end, we see how the winner has sold his soul for a crappy deal that came with a few toys, and a happy meal.

A group of 456 players are mysteriously invited to take part in a set of children’s games for a grand prize of $38 million, which will be enough to give the winner the financial freedom they desperately need. The players are selected from different walks of life, with the burden of excessive debt being their biggest motivation to give the Game a go.

The first of deepening terrors comes during the first game, when the players discover that penalties for losing in the challenges will be death. DEATH. Horrified, the players initially vote to leave and return to their lives.

This noble departure doesn’t last long; their material realities as fugitives on the run from debt collectors only highlights the glow of the precious promise they’ve now left behind. When they return for the second time, they now consent to their highly probable deaths.

Led by Lee Jung-jae, who plays Seong Gi-hun, a taxi driver with a gambling addiction, the South Korean series has become somewhat of a global phenomenon. Now the most streamed Korean series of all time, Squid Game is also said to be on pace to dethrone Bridgerton as the most streamed series in the history of Netflix. And it’s with good reason. Squid Game is a trip.

Survival is the drive. The blues of a broke life pile up for Seong Gi-hun, who’s daughter is being taken away to the US by her mother and step father. His mother is battling deteriorating diabetes and even in her frail condition, is still working hard to make ends meet. It’s during the peak of his frustrations that Gi-hun is randomly invited to take part in the Game.

After accepting the offer, he finds himself in a discreet location along with 455 players, who are also drowning in debt. The players are kept under an authoritarian system of surveillance. Masked guards in pink suits keep the scene under control under the supervision of the Front Man. Gi-hun allies with other players, including his childhood friend Cho Sang-woo, as a the most strategic way to survive the bloody challenges.

Amongst those that end up in this team is player 001, a frail old man who who became his “gganbu”. Sae-byeok, who was also in the team, was killed by Sang-woo, Gi-hun’s childhood friend, team member and flip-flopping ally. Several other team members had to be killed by their team mates, which revealed the wickedness of the games.

In the end, Gi-hun’s victory came without an apology. He had to defeat a close ally in the games, the old and frail player 001. They’d bonded throughout their time, but in the end he had to advance himself against those he’d built alliances. As the games progressed, the players found themselves having to face tough calls. Someone else has to die for you to make it another day.

After a series of brutal games, it comes down to childhood friends Gi-hun and Cho Sang-woo. They’d played different games, with Sang-woo having played hard and stopping at nothing to win. Gi-hun is mad at Sang-woo for a series of betrayals, including him stabbing Sae-byeok to her death. In the end, Gi-hun wins when Sang-woo apologised and kills himself.

Yet despite emerging a winner, Gi-hun finds that the cost of becoming an overnight billionaire has bankrupted his soul. For a year following the day his bank account was loaded with a nine zero figure, he didn’t touch the money. After all, he returned to find his mother dead on the floor. One of his motivations was getting the money to get her medical help over her advancing diabetes.

THE ENDING

Gi-hun is clearly troubled by the bodies upon which his new wealth rests. A year passes and he hasn’t touched the money – even oddly reverting to old patterns of asking for loans to get by. It might be late to be so concerned about the moral questions surrounding the games now – the long and short of it is he won and his life has changed.

Later, he is shocked to find out that the “gganbu” who had to be killed after losing to him in a game of marbles, was never really killed.

In a shocking plot twist that changes everything – he also finds out that the old man is in fact the creator of the games! Finding him in a medical bed after receiving a mysterious invite to the location, Gi-hun discovers that the man’s real name is Oh Il-nam, an obscenely rich fella who created the games in 1988 (the same year Korea hosted the Olympics for the first time) purely for their entertainment. We already know by now that ‘the VIPs’ are a bunch of morally bankrupt elites who find pleasure in watching the poor masses slaughtering each other for money in a broken system. Where have we heard that before?

Although his participation in the games as player 001 was a farce, what he told Gi-hun back then, that he had a brain tumour, had been true. And of course, he challenged him to another sick game. A man had been freezing to death on a street pavement, and Oh Il-nam challenged Gi-hun to guess to bet on the odds that someone who help him when the clock strikes 00:00 at midnight. As Gi-hun wins, Oh Il-nam dies.

We assume this marks the end of the games. However later in the episode, Gi-hun sees the man who recruited him doing it to someone else. He runs to stop what is happening, but arrives at the exact scene late, the train has already taken off. Later on the way to boarding a flight, he turns and calls a number. “I can’t forgive you for everything you’re doing,” he tells ta man we assume to be In-ho. He turns back, clearly about to begin his new mission.

What we know now, is that Oh Il-nam created the games to tickle the sick tastes of his sick rich network. But he is now dead. Who is now behind the games? This, and Gi-hun’s passionate manifesto, are strong indications that next season of the series is already shaping up to a different arc. It’s his final transformation, and he is ready to take down the operation and those behind it. He won’t allow people to be “horses” for the entertainment of wealthy elites.

We know that In-ho shot Jun-ho in a bid to stop him from alerting the police about the games. The signal was bad, delaying the delivering of the evidence Jun-ho had been trying to send in several texts, right up to the moment the moment he plunged from a cliff and hit the water. What we don’t know is whether the messages were really not delivered. There’s also no conclusive evidence that Jun-ho is dead.

Potentially, the biggest lesson from season one is that our relentless pursuit for material success in a punishing money system kills us.

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First Look at HBO’s Game of Thrones Spin-Off ‘House of The Dragon’

DRACARYS!

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Things look promising for HBO’s upcoming drama series, The House of Dragon. The highly buzzed Games of Thrones prequel’s first visual teaser has been met with much fanfare, raking in more than 8,6 million views on Youtube within two days of its arrival.

The House of Dragon

Photo Credit: HBO via Twitter

First reactions and buzz around the epic teaser have been strong indications that the series, slated to premiere in 2022, is off to a good start despite the infamous final season slump suffered by G.O.T. And it could mean that maybe, just maybe,  the world ready to let old baggage go.

The House of Dragon, created by an entire different team, will arrive about three years since the cold winter. The cast includes Matt Smith, Paddy Considine and Sonoya Mizuno who will be bringing to life a different era of Westeros.

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Midnight Mass is Creepy With A Dark Subtext and You Need To See it

‘God’s angel’ had sinister plans for the town.

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The reign of terror plunges a small and quiet town to ashes when the arrival of a charismatic yet mysterious priest coincides with the return of a disgraced young man who has just been released from prison.

While Riley (Zach Gilford) initially finds that Crockett Island and its 127 residents – along with his childhood sweetheart Erin (Kate Siegel) – still conduct a mundane existence, Pastor Paul (Hamish Linklater) soon changes that.

Midnight Mass

“The LORD’s angel”‘s life giving blood comes scams locals into horrible mistakes on Midnight Mass.

When the island’s much loved Roman Catholic senior priest takes a trip to the pilgrimage and never comes back, an energetic new priest takes his place at the Holy Land church. And while his arrival brings with it a new wave of spiritual revival amongst the island community, something sinister begins to haunt the town.

With each episode, the esoteric occult that powers Paul’s ability to perform astounding miracles and mesmerise the islanders, slowly gains dominion over the unsuspecting community. Instead, they begin taking up a renewed interest in the church as word of mouth spreads about the signs and wonders. Much like Jesus Christ was able to draw crowds wherever he went, the appearance of Paul’s supernatural power is able to attract even those who’d remained sceptics their lives.

It’s the blending of the sacred and the sinister. The taking of communion that has been contaminated with demonic blood, which functions as the miracle drug promising eternal life.

We soon find out the miracles come at an unthinkable cost.

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