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5 Ways Burna Boy Can Win South Africa Back

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By now, Burna Boy has succeeded in one distinction not many African artists have mastered – feuding with a country and alienating himself from its people.

Of course, throughout history, many international and local artists have been banned from entering the country for noble political reasons, particularly during Apartheid.

None of them, however, swore to never set foot in South Africa over streamlined fake news.

But when the spate of xenophobic violence plagued the country in September 2019 – a wave of attacks targeting foreign nationals which was rightfully condemned on a wide scale locally and by the global community – Burna Boy’s Twitter outburst triggered an onslaught of resistance to his music, with many calling for his music to be boycotted.

“I have not set foot in SA since 2017”, he tweeted on September 3rd. “And I will NOT EVER go to South Africa again for any reason until the SOUTH AFRICAN government wakes the fuck up and really performs A miracle because I don’t know how they can even possibly fix this.” (sic)

In a series of seething tweets, the Nigerian singer explained that he wouldn’t stand on the sidelines and watch Nigerians being killed in South Africa.

“He won’t be much of an ‘African Giant’ if entire shows keep being cancelled because he refuses to acknowledge and apologise for inflammatory statements seen by multitudes as having contributed negatively to the ideal of uniting Africans.”

He also rightfully drew attention to the fact xenophobic violence had occurred severally since the 2008 attacks that blindsided the country, revealing existing tensions between locals and African migrants.

“But Today After watching the Killing of my people in South Africa the same way we have all watched it happen a few times in the past. FUCK ALL THAT! I personally have had my own xenophobic experiences at the hands of South Africans and because of that…..” (sic)

The rant also came with a war of words between the ‘African Giant’ and South African rapper AKA, with whom his career found prominence when the two collaborated on their smash hit, All Eyes On Me, in 2014.

Burna Boy appeared to threaten AKA with physical violence after the South African rapper’s tweet about Bafana Bafana’s loss to the Super Eagles.

In July this year, South Africa lost to the Nigerian national soccer team, the Super Eagles, in the AFCON quarter finals.

“It’s a hard pillow to swallow man”, AKA tweeted at the time. “We keep losing to Nigeria in every way.”

He continued, “I’m hurt man. This match was bigger than football. The biggest rivalry on the continent. Why do we always have to lose against Naija at EVERYTHING.” (sic)

When the attacks happened, Nigerian artist YCee lambasted the tweets. Burna Boy joined the fray, blowing things even further.

While most incendiary tweets that spark public furore are usually deleted straight after by celebrities, a PR practice which is soon followed by an apology of understanding ‘the pain caused by the words’, or something or another, Burna Boy has refused to apologise.

The subsequent announcement that he would be donating proceeds from the Africans Unite concert, which had been planned as part as a remedial intervention to use music as a unifier, fell flat when the festival was cancelled just days before he was billed to perform alongside Jidenna and Kwesta in Pretoria and Cape Town.

The concert, which organisers explained as an attempt to “rebuild trust and respect amongst African nations by changing the current narrative to that of unity and solidarity”, was pulled when safety concerns entered the discussion.

Angered music fans had been threatening to show up to disrupt the shows. The threats were being brandished at an alarming rate as calls for Burna to apologise persisted.

In a shocking move, Burna returned on Twitter to put matters on ice.

“saying I mislead people? And I made up the Xenophobic attacks and I should apologise. Really? Lol. In 2015 Even I was a victim of the misguided hate so I know. Go and demand apologies from your REAL Enemies. I am not your Enemy. I will not be called a “foreigner” I am AFRICAN” (sic).

Last week, AFROPUNK Joburg announced that Burna Boy would no longer be part of the upcoming festival’s line-up on December 30th and 31st.

“We’re dedicated to working with Burna Boy and his team for his return to South Africa when the climate is right”, the festival said in a press statement received by QuenchSA. “We are deeply committed to providing music lovers and fans a safe space for all to express themselves.”

Burna Boy is yet to acquiesce to the fact that some of his initial and subsequent statements may have been misguided.

During the 2019 wave of xenophobic attacks, no Nigerian national had been killed as suggested in his tweets.

What now? Here are some possible options for the African Giant.

After all, he won’t be much of an ‘African Giant’ if entire shows keep being cancelled because he refuses to acknowledge and apologise for inflammatory statements seen by multitudes as having contributed negatively to the ideal of uniting Africans.

APOLOGISE 

It’s unclear what informs Burna Boy’s reluctance to acknowledge his mistake, apologise and move on. Seems strange that he’d allow for large scale cancellations to happen in quick succession over failure to engage meaningfully in the discussion to heal?

But when one drills down, it may not be entirely absurd while he hasn’t apologised.

Firstly, he would have to come to terms with the fact that he was misled by fake content that was collected and repurposed from atrocities that took place in several parts of the world, over time.

He’s also refused to let his personal experience of xenophobia in South Africa, which he is yet to detail, to be denied. That’s understandable, everyone should be give the opportunity to express their own pain, and tell their side of the story.

Still, that’s what apologies are for. Not only do they help one express their remorse while acknowledging the pain caused by their actions, they also open a platform for dialogues with potentially remedial outcomes.

WRITE AN OPEN LETTER

Let’s move away from Twitter for second.

The apology, the logic, conditions and material that led to his statements could be better discussed in an honest, heartfelt letter to his fans, and to Africans. It’s more personal, feels more in line with his work as a songwriter, and, perhaps most importantly, gives him more space to express himself beyond the character limit on Twitter, where the culture sometimes inspires a weird readiness for drama.

CHAMPION A SOCIAL CAMPAIGN 

A lot of people will see through that, obviously, but its the intention that will count more. I can think of more reasons why using one’s platform to elevate the conversation and move things forward is a better catalyst for change that tossing out obscenities in a middle of a social crisis.

If I were in Burna’s team, I would have tried convincing him to design a campaign targeting various issues, including the dangers of falling victim to fake news.

MAKE A SONG ABOUT ONE LOVE 

An African giant doing a song about love to unite Africans after a wave of xenophobic attacks? I can’t think of a more teachable moment.

Consider Bob Marley lyrics for ‘Africa Unite’

Africa unite

‘Cause we’re moving right out BabylonAnd we’re going to our Father’s land

How good and how pleasant would it be

Before God and man, yeah

To see the unification of all Africans, yeah

 

Now that he is more palatable to the global market, consider lyrics from Major Lazer’s ‘All My Love’
Sometimes I think we’re the brightest stars
And I try to believe we’ll find a way
Will life change when our turn colder?
All your love will make us ache
All your love is worth the chase
All my love, I know they’ll let it find us
All my love’s up on the mountain tops.

All your love will make us ache

TOO SOON TO COLLABORATE WITH AKA?

I know this is pushing it, but history is made by those constantly willing to push the boundaries. I think the feud, from both sides, is a silly distraction to a serious issue. But I also think their unity would do so much for the culture, and for Africa.

Discover New Music Music, Exclusive Interviews and Album Reviews on QuenchSA.com!

Music

Sha Sha Releases Acoustic Version for ‘Tender Love’

The singer gave her dance banger some transcendental treatment.

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South African Music News: Sha Sha is on Apple Music Artist Spotlight

Sha Sha is not slowing down, you all.

And fresh from premiering the music video for her love-soaked summer hit ‘Tender Love’, the songstress on Friday thrilled fans with an acoustic performance of the song. Now uploaded on Youtube to the pleasure of her fans, the recording took place at the Sony Music studios offices.

Spotting her trademark blonde box braids, the ‘Love You Tonight‘ hitmaker is clad in a yellow jumpsuit as she hovers sun-drenched vocals over an acoustic piano set.

RELATED: HOW SHA SHA BECAME THE ARTIST FOR DECEMBER 

This is the first time that the 25 year old Zimbabwean native delivered a stripped down performance of her upbeat dance toons.

Taken from her 8-track EP, the critically lauded ‘Blossom’, Tender Love surged to the top of the charts during the summer of 2019. The project delivered a slew of popular tracks, many which fused Afrobeats, Pop, Soul and Amapiano.

Proving that her ascension to the forefront of the music industry will not be plunging into a downtrend anytime soon, the song has continued outperforming many of her contemporaries  on iTunes.

Discover New Music Music, Exclusive Interviews and Album Reviews on QuenchSA.com!

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Music

Rouge and AKA Unveil Artwork for Upcoming Single

Hip Hop lovers are in for a treat!

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SA Hip Hop News: AKA and Rouge debut the artwork for their collaborative single, One By One

South African rappers Rouge and AKA on Friday debuted the official artwork for their looming project, their first collaborative joint.

SA Hip Hop News: AKA and Rouge debut the artwork for their collaborative single, One By One

The last time the two kind-of worked together was back in 2015, when Rouge appeared on the all-female-rapper remix of AKA’s Baddest.

Entitled One By One, the song is slated for release next week Friday, February 28th. The track is produced by Tweezy.

It’s unclear at this stage whether the song will appear on their upcoming respective albums, as both have promised fans to make good on their promises to avail full bodies of work in 2020.

RELATED: WHAT ROUGE SAID FOUR YEARS AGO IN THIS EXCLUSIVE INTERVIEW!

The song will come months after Rouge unleashed the visuals for her 2019 scorcher, Popular, featuring Emtee.

At the height of the song’s popularity, Rouge proclaimed herself as the best female rapper in South Africa, a statement which caught AKA’s attention.

He applauded her honesty at the time, and suggested that South African female rappers should abandon displays of sisterly solidarity and claim the throne. Beefs, as he would attest, tend to generate a lot of public interest.

AKA, on the other hand, just delivered something new for his fans. Earlier this week, the Fela in Versace hitmaker appeared alongside Costa Titch and Riky Rick on the music video for the Nkalakatha remix.

Discover New Music Music, Exclusive Interviews and Album Reviews on QuenchSA.com!

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Music

WATCH — The Inspiration Behind Ami Faku’s ‘Imali’ Revealed

Faku’s own life has given her plenty to write about.

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Clearly Ami Faku is a girl after our own heart!

Just days after delivering sun-drenched vocals on ‘Uwrongo‘, the collaborative blockbuster offering that has seen her work with Prince Kaybee, Shimza and Black Motion, Faku has now explained the life experiences in which her hit, Imali, is rooted.

MUSIC NEWS: 5 NEW SA HOUSE SONGS YOU SHOULD PLAY RIGHT NOW!

As part of Apple Music Song Stories, a curated series which features South African artists taking us through the stories that inspired their songs, Imali is the latest feature. The song debuted in the Top 5 on Apple Music when it was released in September 2019.

The single was intensely personal for Ami: “Imali, is a reflection on the difficulties of life. I felt that I left people behind who were suffering and unable to afford the basics”, she shared. “People can relate to the fact that many people never get the break they need. However, I wanted it to be inspirational too.”

Faku – the Apple Music New Artist Spotlight recipient in October 2019 – first discovered her passion for singing as a child in the church where her father was a pastor.

READ ALSO: AMI FAKU’S IMALI ALBUM ARRIVES 

She began to explore a range of styles from gospel and reggae to pop and hip-hop, gradually developing her own distinctive voice which incorporates her Xhosa heritage.

She’s most proud of the fact that the album “is honest” which is why the lyrics mean so much to her: “Thandazile Kuzolunga nini … I’ve been praying and nothing changes, nothing wonderful is happening. That’s when you have to do something.”

Discover New Music Music, Exclusive Interviews and Album Reviews on QuenchSA.com!

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