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Anatii’s Iyeza Is His Best Work Yet – Album Review

Anatii’s Iyeza is a cohesive, fervent and spiritual journey. He’s found his sound, his faith and, the calling he must heed.

Photo Credit: Anatii via Instagram

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Review of: Anatii – Iyeza

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Rating:
5
On October 13, 2018
Last modified:October 13, 2018

Summary:

Anatii's 10 track album finds him at his most confident as he fully dives into his African heritage to bring us a luxuriant and soulful project

Rarely have we seen an artist whose creative legitimacy has remained as uncontested as Anatii’s. On the contrary, “I feel like he’s going to buy weed at KFC”, is one of the most popular comments on his Youtube account, a reference to him ‘making the pots happen.’

In South Africa’s increasingly cynical – and ever critically discerning – soundscape, the market sometimes goes harder on rappers than they do on politics. Your faves get blasted every other day and you know that.

Yet, apart from the fact that his personal life remains as withheld from the public as much as he shuns the splashy displays that have become hinged to album promotional build ups, its the sheer production virtuosity, talent and compelling storytelling that set him apart.

Anatii Iyeza Review

Perhaps, the 25-year-old rapper feels no pressure.

And why should he? Halfway through his twenties, his catalogue boasts a slew of timeless classics that have shaped the business as much as they disrupted the convention. Things were never quite the same after The Saga, were they? In all honesty, that verse might have introduced Balmain to the better part of our youth. And it’s also here that ‘sexy chubby n****’ became some cool lexicon.

Back to Iyeza. A few songs allude to spiritual callings to which he must heed. That might or might have not influenced a controversial radio presenter to attempt ‘outing’ him as one who has answered a sangoma calling.

Thriving at the periphery of the formulaic tried-and-true, Anatii’s distinct sound and beautiful Xhosa heritage and a strong anchor in contemporary sound continues being a definitive factor in his fascinating journey on his latest album, Iyeza.

Fascinating is the word because, on this album, he departs from playing to mainstream seductions and enters a spiritual realm of unbridled authenticity.

Anatii Iyeza Review

We know that he’s entered a whole new dimension in his career because on this album, he turns to isiXhosa to articulate his most complex, emotional and personal ideas. That’s as true as it is for his song titles – which are mostly in his native language – as much as it is for his beautifully African album artwork and album title. Iyeza means (traditional) medicine.

In many ways, Iyeza is the more refined masterpiece that his previous collaborative project with AKA – Be Careful What You Wish For – aimed to be.

Anatii Iyeza Review

It’s the successor that better showcases Anatii’s multilayered technique, spiritual faith and character. Mind you, that’s not even paying dust to BCWYF, which was a decent contribution to Hip Hop.

This 10 track project finds Anatii straddling the gaps between Trap and traditional African sonic flavours. He’s truly found himself here – bringing nostalgic elements that distil the often understated South African musical footprint to trap 808s in ways that no one else has tackled out here.

There are some subtle electronic synths that enhance African inspired electric guitars and organic traditional sounds on Wena, the album’s opening track. A perfect opener, the song sets the mood and vibe that will become the cohesive thread weaving this album together into an embrace of an authentic African expression of self. The song has the spirit of Jabu Khanyile, Joe Nina, Tshepo Tshole and Caiphus Semenya all over it, without having anything to do with these icons.

One of the album’s best tracks, Ngozi (Danger) follows next. It’s one of the songs in which he makes mention of his ancestors in a spiritual sense, a divine being who is active in his life. Perhaps as a reference to the pressures of heeding a calling, the song explores the conflict between running away, like a fugitive, from what he’s been called to do, or from danger, and the simpler comfort zones. It’s a space that most of us will have to navigate at one point or another.

The end of this song has a beautiful transition into something abstract, spiritual and ethereal. Anatii could be flirting with ululating, or just diving in and out of his African heritage, which contains in it the rich texture of melodic musicality.

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The narrative of risk and foreboding fear of lurking danger continues onto Hlatini, another solid bop on the album. At this point, the album has completely matured in its assumption of a specific identity. The chord progressions and vocals styles are now fully anchored in Africa’s infinite musical universe. Something about the chorus and hook could remind an old soul of the Soul Brothers.

Ndaweni sustains the momentum. With high pitch and spirited vocals which he lays over a song that could have easily charted alongside Mandoza, Trompies and Abashante back in the 90s, Anatii continues making a firm statement about his musical DNA. He’s not here to churn out pointless number ones and produce random beats to make a quick buck. He’s here to shift the landscape. And he cares about a whole lot of things, one of them being the sheer feeling of his productions.

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Ntloni is one of the album’s more commercially palatable bangers. It has all the elements of a bop you’d jam to at Taboo, at Pop Bottles, at the Sands. It has a beautiful summer hit finish to it, which Anatii has already proven to have no problem whipping out.

Vuka is possibly the album’s most beautiful love song. It’s a sing-along, smooth and lush African summer jam. The chorus and hook instantly demand to be kept on a loop. The organic instrumentation allows the hearty harmonies to shine, giving the song a verdant laid-back vibe.

 

 

 

 

Anatii's 10 track album finds him at his most confident as he fully dives into his African heritage to bring us a luxuriant and soulful project

Music

Bongeziwe Mabandla Debuts New Album ‘iimini’

The critically lauded singer has delivered a lush 12-track project.

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On his third album, SAMA award-winning artist, Bongeziwe Mabandla, offers up a collection of songs that trace the unfolding of love with pure sonic beauty, from the day of first meeting to the heartbreaking end.

Titled iimini, Mabandla’s offering presents a cycle of 12 songs, with a beginning, middle and end, and is intended to be listened to as a whole. It’s the latest from the artist whose singular repertoire has gained him the title of “the enigmatic spirit of African soul”.

Bongeziwe Mabandla

Bongeziwe’s stunning new album has received applause from Sam Smith. Photo by Justice Mukheli

It’s also the first to be released with Platoon, a London-based artist services company that is playing a role in helping African and South African artists showcase their creativity to the world.

ALSO READ: CANDY TSAMANDEBELE TALKS NEW ALBUM AFTER KALAWA EXIT!

iimini starts off with meeting someone and how feelings evolve to love, and then the pain and heartache of being with someone,” says Mabandla of the album’s underpinning theme. “The last songs are about the end of relationship and the cutting of ties, and basically the separation of people who used to be incomplete without each other.”

Mabandla explains that his attachment to one-theme albums (the notion of marvelling and miracles drove Mangaliso) springs from a desire to make visible what is important in his own life. “But the difficulty of making an album about one thing is that you have to find the multiple stories within that single subject,” he confides.

In searching for these narratives, Mabandla drew inspiration from his roots – growing up in Tsolo, a rural part of South Africa’s Eastern Cape, and then moving to study acting in Johannesburg. “I’ve always loved listening to lyrics. South Africans love storytelling in a song and I am led by a desire to be part of that tradition when writing.”

With a repertoire centred around 2012’s Umlilo, the award-winning Mangaliso and now iimini, Mabandla is building his audience, both at home and internationally.

RELATED: NASTY C SIGNS WITH DEF JAM 

The latter part of 2019 saw him play Reeperbahn Festival (Germany), Lake of Stars (Malawi), five dates at Afrovibes Festival (Netherlands), Womex (Finland), and the Oslo World Festival (Norway). In November 2019 he performed to a sold-out audience at London’s 100 Club along with eight dates in France (including sold-out shows in Paris and Strasbourg), and his first sold out show in Zurich, Switzerland.

For the artist, there’s a natural progression from his first days performing his songs on just an acoustic guitar to his current standing as one of Africa’s most adventurous, engaging and essential artists.  “I started off as a folk artist, but my music is evolving and changing and iimini captures where I am right now just perfectly,” Mabandla concludes.

iimini is released by Platoon, seeing Mabandla join the likes of Princess Nokia, Victoria Monet, Maleek Berry, Mr Eazi, Santi, Odunsi the Engine, Kwesi Arthur, Samthing Soweto, Ami Faku, Sun-El Musician, Sino Solo, Msaki and The Word of Birds in releasing through the defiantly artist-centric music company.

Stream iimini here

Discover New Music, Exclusive Interviews and Album Reviews on QuenchSA.com!

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Music

Nasty C Inks a Deal With Def Jam

Nasty C Inks a deal with Iconic Hip Hop Label Def Jam Recordings

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Nasty C Signs To Def Jam

Rap wordsmith, Nasty C announced on the socials that he penned a deal with American hip hop label Def Jam Recordings.

The nitty gritties of the deal revealed that the contract is a joint venture with Universal Music Africa. To signal his new lease in life, he’s dropping new music on the label this evening around 10:30 p.m. CAT. The new record is titled There They Go and you can hear it first on Apple Music Beats 1 with Ebro Darden.

The award-winning rapper has teased fans on Instagram about his collabo with Storm Hustle this week. The taste was enough to get critics riled up in anticipation of his upcoming third album Zulu Man with Some Power. His critically acclaimed sophomore project, Strings and Bling got him two continental gongs in the All African Muzik Magazine Awards (AFRIMMAs) and two South African Music Awards.

The music video of the new track was shot in Durban and directed by Andrew Sandler. You can get a peak of the visuals on Trace Urban music channel on DSTV this evening.

Discover New Music, Exclusive Interviews and Album Reviews on QuenchSA.com!

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Music

New Scorpion Kings Live Concert Date Announced

Scorpion Kings Live Concert New Date Announced. Will Your be There?

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The event organiser of the Scorpion Kings Live Concert announced a new date of the much anticipated event to be held at the Sun Arena. Originally, the 3-hour long show was scheduled to take place on the 11th of April. Following the terror caused by the Coronavirus, President Cyril Ramaphosa made a ‘State of Disaster’ announcement that forced organisers to postpone postpone the event.

The show is now confirmed to take place on Women’s Day, Sunday the 9th of August at the Sun Arena in Pretoria. While the government suggests we stay indoors, the show must go on. That’s why Kabza De Small and Dj Maphorisa will bless the streets with a series of live streams on their social media platforms over the next few weeks. Make sure you get your ticket soon, with only 2000 tickets left on sale.

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