Meet the 2018 Standard Bank Young Artist Award recipients. These are six of the brightest young creative talents working and living in South Africa today.
Now in its 36th year, the Standard Bank Young Artist (SBYA) awards are the country’s leading arts award conferred by the National Arts Festival and Standard Bank on deserving young South African artists.
This year the honours go to Chuma Sopotela (Performance Art), Guy Buttery (Music), Igshaan Adams (Visual Art), Jemma Kahn (Theatre), Musa Hlatshwayo (Dance) and Thandi Ntuli (Jazz). These budding stars join a prestigious pantheon of award-winning artists who’ve gone on to shape South Africa’s creative economy and art history.
Chuma Sopotela is a performance artist whose practice reflects the versatility of skills she commands. She is fast gaining broad respect as an actress, dancer, puppeteer and all round performing artist. She balances her love for traditional theatre with the complexity and conceptual challenges offered by performance art in a refreshing way.
Guy Buttery is an immensely talented composer and guitarist. He plays like a man on a search to stretch the boundaries of fingerstyle guitar to their outermost limits and he is winning. Buttery has found a way to play his unique style of guitar that is deeply South African while also speaking a global musical language. There’s credibility to his being described by pundits as a South African musical treasure.
Igshaan Adams is an exciting visual artist who is finding a creative and refreshing language to discuss faith, gender and identity. His lavish tapestries and sculptures made from strings, beads, found fabric and steel delve into code complex concerns regarding Islam and cultural hybridity.
Jemma Kahn as a groundbreaking Theatre practitioner has found a fascinating way of using a Japanese form of street theatre, the Kamishibai to explore uniquely South African theme with universal reach. Her multi-instalment, autobiographical story, In Bocca al Lupo has shored her up a leading light for her generation of theatrical storytellers.
Musa Hlatshwayo is a prodigious talent with great promise as both dancer and choreographer. He has performed with various local and international dance and theatre companies. Hlatshwayo maintains a professional practice that is as focused on creative rigour as it is invested in grassroots community development work.
Thandi Ntuli is a leading young pianist and composer among a rich cadre of South Africa’s young crop of jazz musicians. Her broad musical vision has seen her shine in various musical contexts. Ntuli plays with equal excitement alongside experimental outfits where she collaborates with a vinyl spinning DJ or in the company of a classic jazz band or the philharmonic orchestra.
South Africa’s Minister of Arts and Culture Mr. Nathi Mthethwa extended a congratulatory note to the artists: “Congratulations to all the Standard Bank Young Artists on their awards. You are a shining example of the talent and commitment of South African artists and we look forward to seeing more of your work realised in the years to come.”
The strong partnership between Standard Bank, which has sponsored the award since 1984, and the National Arts Festival has helped develop South Africa’s cultural treasury that reflects the country’s artistic past as well as serves to inspire new generations of artists, performers, and musicians.
Hazel Chimhandamba, Head of Group Sponsorships at Standard Bank notes that: “Over the years the Standard Bank Young Artist Awards have grown in stature and continue to provide a wonderful platform and opportunity for the winning artists to bring their work to a national and international arena. It has created a rich legacy while providing role models for future generations to value, respect and aspire to whilst enriching and expanding the country’s cultural landscape.”
National Arts Festival Executive Producer Ashraf Johaardien adds, “The Standard Bank Young Artist platform is about securing and investing in the future of the arts. The list of illustrious Awards alumni dating back to 1984 includes iconic creatives like William Kentridge, Mbongeni Ngema, Johnny Clegg, Sibongile Khumalo, Helen Sebidi, Mathinus Basson, Robyn Orlin, Darrell Roodt and others like them whose practice and artistic vision have helped shape the South African cultural landscape. Every year when we deliberate on the next crop of winners our purpose is to find the next generation of artists whose work holds the promise of that kind of impact. Having had the opportunity to engage with each of the 2018 winners and their current body of work, I am confident that the Artistic Advisory Committee have succeeded in doing just that.”
The award winners in the various artistic genres are selected by the National Arts Festival Committee, chaired by Brett Bailey. All decisions regarding winners are made jointly by the committee. The winners receive a cash incentive, and are given support to develop and premiere new works that will be featured on the Main Programme of the 2018 National Arts Festival in Grahamstown next ye
Squid Game Ending Explained; We’ve Been Scammed
We’ve been had, and Squid Game is here to prove it.
When the end of the South Korean horror drama arrives on the ninth episode, the winner finds himself harrowed by what the coveted prize has cost his soul. In the rat race for survival, along with a better life that hinges on the never ending hustle, there’s no time to stop and see the horror our lives become. By the end, we see how the winner has sold his soul for a crappy deal that came with a few toys, and a happy meal.
A group of 456 players are mysteriously invited to take part in a set of children’s games for a grand prize of $38 million, which will be enough to give the winner the financial freedom they desperately need. The players are selected from different walks of life, with the burden of excessive debt being their biggest motivation to give the Game a go.
The first of deepening terrors comes during the first game, when the players discover that penalties for losing in the challenges will be death. DEATH. Horrified, the players initially vote to leave and return to their lives.
This noble departure doesn’t last long; their material realities as fugitives on the run from debt collectors only highlights the glow of the precious promise they’ve now left behind. When they return for the second time, they now consent to their highly probable deaths.
Led by Lee Jung-jae, who plays Seong Gi-hun, a taxi driver with a gambling addiction, the South Korean series has become somewhat of a global phenomenon. Now the most streamed Korean series of all time, Squid Game is also said to be on pace to dethrone Bridgerton as the most streamed series in the history of Netflix. And it’s with good reason. Squid Game is a trip.
Survival is the drive. The blues of a broke life pile up for Seong Gi-hun, who’s daughter is being taken away to the US by her mother and step father. His mother is battling deteriorating diabetes and even in her frail condition, is still working hard to make ends meet. It’s during the peak of his frustrations that Gi-hun is randomly invited to take part in the Game.
After accepting the offer, he finds himself in a discreet location along with 455 players, who are also drowning in debt. The players are kept under an authoritarian system of surveillance. Masked guards in pink suits keep the scene under control under the supervision of the Front Man. Gi-hun allies with other players, including his childhood friend Cho Sang-woo, as a the most strategic way to survive the bloody challenges.
Amongst those that end up in this team is player 001, a frail old man who who became his “gganbu”. Sae-byeok, who was also in the team, was killed by Sang-woo, Gi-hun’s childhood friend, team member and flip-flopping ally. Several other team members had to be killed by their team mates, which revealed the wickedness of the games.
In the end, Gi-hun’s victory came without an apology. He had to defeat a close ally in the games, the old and frail player 001. They’d bonded throughout their time, but in the end he had to advance himself against those he’d built alliances. As the games progressed, the players found themselves having to face tough calls. Someone else has to die for you to make it another day.
After a series of brutal games, it comes down to childhood friends Gi-hun and Cho Sang-woo. They’d played different games, with Sang-woo having played hard and stopping at nothing to win. Gi-hun is mad at Sang-woo for a series of betrayals, including him stabbing Sae-byeok to her death. In the end, Gi-hun wins when Sang-woo apologised and kills himself.
Yet despite emerging a winner, Gi-hun finds that the cost of becoming an overnight billionaire has bankrupted his soul. For a year following the day his bank account was loaded with a nine zero figure, he didn’t touch the money. After all, he returned to find his mother dead on the floor. One of his motivations was getting the money to get her medical help over her advancing diabetes.
Gi-hun is clearly troubled by the bodies upon which his new wealth rests. A year passes and he hasn’t touched the money – even oddly reverting to old patterns of asking for loans to get by. It might be late to be so concerned about the moral questions surrounding the games now – the long and short of it is he won and his life has changed.
Later, he is shocked to find out that the “gganbu” who had to be killed after losing to him in a game of marbles, was never really killed.
In a shocking plot twist that changes everything – he also finds out that the old man is in fact the creator of the games! Finding him in a medical bed after receiving a mysterious invite to the location, Gi-hun discovers that the man’s real name is Oh Il-nam, an obscenely rich fella who created the games in 1988 (the same year Korea hosted the Olympics for the first time) purely for their entertainment. We already know by now that ‘the VIPs’ are a bunch of morally bankrupt elites who find pleasure in watching the poor masses slaughtering each other for money in a broken system. Where have we heard that before?
Although his participation in the games as player 001 was a farce, what he told Gi-hun back then, that he had a brain tumour, had been true. And of course, he challenged him to another sick game. A man had been freezing to death on a street pavement, and Oh Il-nam challenged Gi-hun to guess to bet on the odds that someone who help him when the clock strikes 00:00 at midnight. As Gi-hun wins, Oh Il-nam dies.
We assume this marks the end of the games. However later in the episode, Gi-hun sees the man who recruited him doing it to someone else. He runs to stop what is happening, but arrives at the exact scene late, the train has already taken off. Later on the way to boarding a flight, he turns and calls a number. “I can’t forgive you for everything you’re doing,” he tells ta man we assume to be In-ho. He turns back, clearly about to begin his new mission.
What we know now, is that Oh Il-nam created the games to tickle the sick tastes of his sick rich network. But he is now dead. Who is now behind the games? This, and Gi-hun’s passionate manifesto, are strong indications that next season of the series is already shaping up to a different arc. It’s his final transformation, and he is ready to take down the operation and those behind it. He won’t allow people to be “horses” for the entertainment of wealthy elites.
We know that In-ho shot Jun-ho in a bid to stop him from alerting the police about the games. The signal was bad, delaying the delivering of the evidence Jun-ho had been trying to send in several texts, right up to the moment the moment he plunged from a cliff and hit the water. What we don’t know is whether the messages were really not delivered. There’s also no conclusive evidence that Jun-ho is dead.
Potentially, the biggest lesson from season one is that our relentless pursuit for material success in a punishing money system kills us.
First Look at HBO’s Game of Thrones Spin-Off ‘House of The Dragon’
Things look promising for HBO’s upcoming drama series, The House of Dragon. The highly buzzed Games of Thrones prequel’s first visual teaser has been met with much fanfare, raking in more than 8,6 million views on Youtube within two days of its arrival.
First reactions and buzz around the epic teaser have been strong indications that the series, slated to premiere in 2022, is off to a good start despite the infamous final season slump suffered by G.O.T. And it could mean that maybe, just maybe, the world ready to let old baggage go.
The House of Dragon, created by an entire different team, will arrive about three years since the cold winter. The cast includes Matt Smith, Paddy Considine and Sonoya Mizuno who will be bringing to life a different era of Westeros.
Midnight Mass is Creepy With A Dark Subtext and You Need To See it
‘God’s angel’ had sinister plans for the town.
The reign of terror plunges a small and quiet town to ashes when the arrival of a charismatic yet mysterious priest coincides with the return of a disgraced young man who has just been released from prison.
While Riley (Zach Gilford) initially finds that Crockett Island and its 127 residents – along with his childhood sweetheart Erin (Kate Siegel) – still conduct a mundane existence, Pastor Paul (Hamish Linklater) soon changes that.
When the island’s much loved Roman Catholic senior priest takes a trip to the pilgrimage and never comes back, an energetic new priest takes his place at the Holy Land church. And while his arrival brings with it a new wave of spiritual revival amongst the island community, something sinister begins to haunt the town.
With each episode, the esoteric occult that powers Paul’s ability to perform astounding miracles and mesmerise the islanders, slowly gains dominion over the unsuspecting community. Instead, they begin taking up a renewed interest in the church as word of mouth spreads about the signs and wonders. Much like Jesus Christ was able to draw crowds wherever he went, the appearance of Paul’s supernatural power is able to attract even those who’d remained sceptics their lives.
It’s the blending of the sacred and the sinister. The taking of communion that has been contaminated with demonic blood, which functions as the miracle drug promising eternal life.
We soon find out the miracles come at an unthinkable cost.