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Kid X Discusses The Positives That Came Out Of His Mixtape

We caught up with CashTime Life Family member KidX to speak about his upcoming album and the SAMA awards nomination.



Kid X exclusive interview

Many have tried to solve this ‘X’ equation and many have failed – dismally. The South African hip hop sub-genre that is the Skhanda movement has swept the hip hop industry by storm since 2014, leaving only dust and rubble in its wake. The collective responsible for the heat on the airwaves is none other than the CashTime Life Family. We spoke at length with one half of the sextet, Kid X real name Bonginkosi Mahlangu, about the milestone of being nominated for the Best Hip Hop Album award with a mixtape at the recent SAMA 22 awards. We also pressed the rapper about details regarding his new project due later this year, see what he had to say.


QuenchSA: What inspired your stage name Kid X?

Kid X: It is a name I got from high school…because my name was long but it wasn’t always Kid X…I grew up and it ended up being just Kid X.

QuenchSA: At what age did you realize that music was what you wanted to do for a living?

Kid X: I think in 2011 I realized that this could be something I could do as a full time gig because the very same year I wasn’t able to register to go back to school, for me I guess that’s when reality kind of hit.

QuenchSA: How promising was your football career?

Kid X: It hadn’t went too far because I relocated a number of times but at the stage were my soccer career was about to kick off that’s when I moved to the Free State. Unfortunately there was no soccer where I stayed so that kind of hampered the time I had to horn my craft. But I was a crazy soccer player.


QuenchSA: You were nominated at the recent SAMA 22 in the Best Hip Hop album category with a mixtape. Despite not winning, that must have been a huge vote of confidence?

Kid X: Definitely! It was very encouraging. I don’t think there’s been a mixtape nominated in that category before. For that feet alone I was super humbled. It opened up my mind to the fact  that anything is possible.

QuenchSA: You intend on releasing an album later this year. Will it include any tracks from the mixtape?

Kid X: No. The album has it’s own vibe and it’s own story. All the tracks will be fresh.


QuenchSA: Will there be distinct differences between the mixtape and the album?

Kid X: Yes! The vibe is totally different. In hip hop a mixtape is meant to cater to the underground, the conscious vibe of the hip hop fraternity and fan base. With an album its different, it is meant to cater for the mainstream sound.

QuenchSA: You and the entire collective that is CashTime Life Family have made your opinions known before about the transparency and legitimacy of certain award shows. For you personally, how do you measure the success of your output if awards aren’t considered?

Kid X: The most important thing when I was releasing was to create a solid foundation for my fan base. I didn’t just want to come out with an album especially since they knew me mainly for the features I got. I only put out like one or two singles and the most prominent songs were the features so I sort of wanted to showcase what Kid X was about in a full body of work. I had promised them an album in 2015 and that wasn’t ready at the time. For me it has to come from the people who listen to the music, the numbers don’t lie in terms  of how people responded to Kid X. And if you get nomination at award shows, it sort of validates your product.

QuenchSA: You were against taking sides in the alleged beef that has described the South African hip hop climate. Why is that when it has proven profitable for some artists?

Kid X: I felt the beef had nothing to do with me. That’s pretty much it!

QuenchSA: Did you feature members from the CashTime Life Family on the album?

Kid X: At the moment I haven’t worked with anyone in the camp simply because everyone is really working on their own projects. I feel like we’ve all done something with each other and with all the energy in the game I feel like it doesn’t make sense to collaborate with the same people over and over again.

QuenchSA: What can your fans expect from you in the immediate future?

Kid X: They can expect a video from my latest single called Ipati, they can expect the long awaited drop of my debut album called Thank The Kids, more visuals and more music. Also launching a website pretty soon.


Photo Cred: Images Supplied

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Sir LSG: Perfection Matters – Not So Much The Accolades – Interview



Select Sessions Sir LSG

The way Sir LSG approaches music is microscopic. He takes all these elements – tiny sounds that don’t typically register to an ear that isn’t technically sharpened to detect and achieve sonic balance – very seriously. He’s also a perfectionist, which meant finishing his much-celebrated album, Moving Circles, was no easy feat.

We had the privilege of hearing from the man ahead of his set at Play Sessions in Braamfontein this Thursday, September 6th.

You started out studying electrical engineer before a passion for records and music took over. Tell us about your record collection?

I started collecting records right at the beginning of my first year at WITS, and in hindsight, engineering was never really going to work well for me. My record collection is quite small, because in 2006 when I started playing, CDs were becoming popular in the clubs. My friends and I would share records when we had a gig, to assist with the limited range.

Your mentor was/is DJ Christos, “The Godfather of House” and one of South Africa’s most respected house producers. Tell us how his work inspires you?

I met DJ Christos back in 2008 at an SAMC conference, when I had just won the DJ competition for the conference, and Chris took me under his wing. For a few months I would travel with him to his gigs and he would give me his last 15 – 20 minutes of his sets. It meant a lot to be able to travel with one of our country’s house music icons – I can never be grateful enough for those moments.

Your “Sax In The City” soulful house mix reached the second spot on Traxsource’s top singles chart in 2011, and in 2014 they voted you at Number 20 on the Top 100 Afro House Producers of the year. Tell us how these accolades helped define your career?

It’s always nice to see my releases reach charts on Traxsource because globally they are the leading House Music store. But those accolades don’t really mean much, I’m only happy and grateful that there are people out there who enjoy the music I make.

You’ve worked alongside global and local acts, such as Ralf GUM and R&B singer/songwriter Brian Temba. Who has been your favourite collaboration to date and why?

The most important thing for me when working with other artists is to really have a “vibe”. As soon as musicians “vibe” you’ll hear it in their music. I always enjoy working with Ralf Gum and Thandi Ntuli because they are the two people I spend a lot of studio time with.

What can people expect from your Select Sessions gig on 6th September at PUMA?

Expect nothing but solid soulful house music. See you on the dance floor.





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Deep House Ace Kat La Kat Is Not Chasing The Wave – Interview

Kat La Kat takes us through his approach to House music as he preps a set at the looming PUMA Select Sessions



Kat La Kat

If you’ve had the privilege of enjoying Kat La Kat’s abstract and organic sets, you would appreciate his technical showmanship and the clear fact that he loves music. The house music DJ prefers diving into his enriched pool of vast house offerings than merely amplifying popular sounds.  We got him to delve a bit deeper into his creative processes in this Q and A.

You’re known for your Deep Vibes mix series, which has a cult following. How did this first come about?

I felt the need to put out tracks that wouldn’t generally be heard in clubs in my area at the time, a sound that was a bit more dark and less catchy. Stuff people would say is too calm, too deep, too underground to play in front of a crowd, so I decided to create a mix series that one can indulge in their own space, with no pressure to make people dance.

You’ve played in nightclubs in and around Pretoria and Johannesburg for more than a decade now. Any advice for aspiring DJs and producers?

Trust your taste! A lot tend to follow what works for other artists and they struggle with consistency because it was never really their taste. Do you and do you good …the rest will fall in place

You’re experimental, use mixing techniques and like to take people on a journey with your deep house sets. What’s a sound you’re loving right now?

I dig deep tech house and quite a few local producers are putting out some awesome sounds.

You’ve been producing your own music since 2006. How has the local house music scene developed since then and where do you think it’s going?

I think it has developed in a very good way, we’ve always had the groove but we lacked sonic quality and little technical stuff that goes into a production. Guys are making the effort to have their tunes professionally mixed and mastered and that’s a step in the right direction.

What can people expect from your Select Sessions gig on 6th September at PUMA?

A Kat La Kat experience, you need to hear it to know what I’m talking about! You can expect the unexpected.

Select Sessions 6 Sept Artwork




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5 Minutes With House Music Dab hands Punk Mbedzi

We caught up with South African House Music maestro Punk Mbedzi ahead of his set at the SELECT SESSIONS



Punk Mbedzi
Photo Credit: Punk Mbedzi via Instagram

He will be setting the decks ablaze at the upcoming PUMA Select Sessions in Braamfontein this Thursday, September 6th. And House music maestro – Punk Mbedzi took a moment to reflect on his come up, unpack the genesis of his sound, as well as his creative vision for The Rhythm Johannesburg – a project he founded.

You’ve made a name for yourself in house music circles, and your sound could be described as House/Indie, Dance /Electronic and Afro beats. Do you prefer variation in your style and why?

I have always tried to be versatile with the music that I produce and not box myself into one style. I prefer variation in my music because I’m always trying to improve my sound. Usually, I draw inspiration from different genres and try to implement it into what I’m doing.


Known by your DJ name Punk Mbedzi, it’s said that music is your staple diet. Who are you listening to right now?

There is a new wave of fresh talent coming from South Africa from artists like Kususa, Argento Dust and FKA Mash. They are pushing the boundaries of what Afro House should sound like, which is refreshing to hear.

Hailing from Polokwane, you began producing at age 16. Any tips for local up-and-comings?

From an early age music has always been a passion for me. A very important thing I would share is to never lose faith and try by all means to keep the passion burning – that’s the only thing that will keep you pushing. It’s also important to educate yourself about the music industry and the business behind it.

You’re the Event Director for event production series, The Rhythm Johannesburg. What’s your vision for this brand, in one or two sentences?

I would like to build a brand known for really great music. Regardless of the status of the featured artists, it should set a global footprint for being a place where people know they can discover fresh and good music.

You’re hosting September’s instalment of PUMA Select Sessions in Braamfontein. Tell us what people can expect on the night?

From the first artist to the last, it’s set to be a musical journey. Although every artist is distinct in their sound, there will be cohesion in what the music brings.

Select Sessions 6 Sept Artwork


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